"Magnus Asbjorn
Thaumaturgist
Worker of Wonders
Maker of Miracles
Purveyor of Bizarre Arcanum"
Now before you give me crap about them I'd like to point out that I printed them myself for the purpose of using in the Stigmata effect. I explain that Thaumaturgist means wizard. And then he asked what Bizarre Arcanum meant and I explained that it meant bizarre secrets. To which he replied and I quote "What? Like I like to suck on toes or have a dildo in my back pocket?" If I weren't already done talking to this drunkard I definitely did not want to talk to him more. I did the hot rod effect and he sent him on about his day. Recently I had a run in with the worst type of spectator, the troublemaker, the entire effect she did nothing but try and mess me up. She failed and everyone but me and her had a good time. My point that until just after she choose a card there were no warning signs that I was about to have trouble.
Now at this point in my magic learning I can still choose who I want to perform for but if I were to go pro with the close up magic, I can't really say I don't want to perform for someone. Now I can turn down clients as I see fit but as long as I'm on the clock I have to entertain the guests of whomever hired me. The last thing I want is for a guest to complain that I ignored him or was rude to him. No matter how good a performer I am the are others out there in the same pay grade that are just as if not more willing to take the job and please everyone.
Now at this point in my magic learning I can still choose who I want to perform for but if I were to go pro with the close up magic, I can't really say I don't want to perform for someone. Now I can turn down clients as I see fit but as long as I'm on the clock I have to entertain the guests of whomever hired me. The last thing I want is for a guest to complain that I ignored him or was rude to him. No matter how good a performer I am the are others out there in the same pay grade that are just as if not more willing to take the job and please everyone.
When I got into magic I was and still am enamored with the idea of parlor magic, but I had no idea how to get into that, my plan was to start with close-up learn how magic works, the basic principles and sleights pick up some good effects, and then work my way towards my goal. Beyond learning closeup for that plan I feel a magician should be able to magic at any time, not just on stage. Not saying he has to just cause he's asked to just that he should be able to. It seems like it would make you look a little silly if you could do all that stuff on stage and then after if someone see you in the bar be all I can't. And obviously you should have a dynamite close up effect to show bookers, and convince them to hire your act, unless your act packs small enough or you have somewhere to show it off.
I see we are different there. I love close up magic. And more and more I'm growing towards disliking Parlor magic. Somehow I cannot built the same intensity as with my close up show. And because I have a different opinion and I'm always right that can only mean, that you are wrong my friend. So wrong. ;)
ReplyDeleteMy entire problem lies in the fact that doing close up requires me to be within arm length of people who I would prefer not to be. I'm just picky about the people I associate with. I like the idea of parlor magic with a small crowd and it fits well with my desire to become a burlesque and sideshow MC.
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